TROS 23: Mufasa Is Dead (with Christina Ward)

In minutes 111-115 of The Rise of Skywalker, Rey Force-transfers her lightsaber to Ben, Palpatine sucks the life out of the Dyad, and Lando shows up with a massive Citizens' Fleet ready to join the fight. Christina Ward (from The Band Batch) returns to the show to analyze Palpatine's vocal delivery from an operatic speak-singing perspective. We also discuss Disney villains, Verdi's Macbeth, purposely-ugly music, and more!

Timestamps:

  • 0:00 - Hello there!

  • 11:42 - Orchestration during Sith Whispers.

  • 24:53 - Palpatine's misogyny.

  • 33:35 - Magical, childlike twinklies.

  • 35:15 - Breathing of Rey and Ben.

  • 38:10 - Additional details from the novelization. Do they make a difference?

  • 46:51 - First Thrawn reference.

  • 53:35 - "Really Bad Feeling" motif.

  • 59:05 - Coordinated "stab" from the orchestra.

  • 1:00:13 - Rey's Chimes theme and types of motion in music.

  • 1:09:33 - Emphasized sound of the lightsabers being dragged.

  • 1:22:24 - Mystery Motif, ascending minor arpeggios with a flat 6. Bernard Herrmann's influence.

  • 1:31:58 - Analyzing Palpatine's vocal delivery: rhythmic structure, pitch, speak-singing (sprechstimme).

  • 1:37:59 - Verdi, recitative, characterful singing, Disney songs.

  • 1:41:06 - Sprechstimme in the work of Schoenberg, Berg, Schreker, and other early 20th century composers.

  • 1:48:46 - Palpatine's line ("The Jedi are dead") almost sounds like singing.

  • 1:51:20 - Comparing this scene to Jeremy Irons's performance as Scar in The Lion King.

  • 2:01:07 - Notation of "Sith Whispers" according to Frank Lehman.

  • 2:05:21 - Verdi's Macbeth and purposely ugly-sounding music (witches chorus).

  • 2:19:21 - Critiquing Poe's leadership.

  • 2:29:33 - Giving us a victory so we can have a tragedy.

  • 2:37:41 - SWMM Questionnaire

Things to Check Out:

Musical Themes:

  • 41b. Kylo Ren 1.5 (Redeemed)

  • 45) Sith Whispers

  • 61b. Knights of Ren (Slow Form)

  • 3. Force

  • 110) Really Bad Feeling

  • 52a. Tension (Basic Motif) (arguably, perhaps)

  • 45a. Rey A (Theme A-Phrase)

  • 46a. Rey B (Chimes)

  • 34b. Mystery (Form 2)

  • 18) Descending Heroic Tetrachords

  • 1a. Main Theme (A Section)

  • 1b. Main Theme (B Section)

Where are we in the soundtrack?:

  • FYC 19. "Coming Together"

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STAR WARS MUSIC MINUTE QUESTIONNAIRE:

1. In exactly 3 words, what does Star Wars sound like?

  • New answer: Growing bacteria culture.

  • ESB answer: Heartfelt. Direct. Dramatic.

  • Solo answer: Droids. Hopeful. Dramatic.

2. What's something related to Star Wars music or sound that you want to learn more about?

  • New answer: Will there continue to be pop collaborations in Star Wars, like with "Twin Flame" (Victoria Monét) in The Acolyte.

  • ESB answer: What the aural representation of Chiss brainwaves, particularly Sky-walkers, would be.

  • Solo answer: What are the thematic relationships that tie the dark side with Imperialism, musically speaking? Similarly, what musical relationships tie the light side with rebellion and goodness?

3. What's a score or soundtrack you're fond of besides anything Star Wars?

  • New answer: Bleach (anime series composed by Shirō Sagisu)

  • ESB answer: Ms. Marvel (composed by Laura Karpman) and Moon Knight (composed by Hesham Nazih)

  • Solo answer: Dune (music composed by Hans Zimmer, sound team led by Mark Mangini and Theo Green)

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Guest: Christina Ward

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TROS 24: Dubstep Lightning (with James Waterman and Justin Scheid)

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TROS 22: Good Boy Ben Theme (with Samantha Tripp)